Damien Hirst “Away from the Flock” Alain Gayot Photos Gallery

away from the flock

Away from the Flock is one of a group of sculptures collectively entitled Natural History, that Hirst initiated in 1991 with what was to become one of his most famous works, a tiger shark floating in a giant formaldehyde-filled tank, entitled The Physical Impossibility of Death in the Mind of Somebody Living (reproduced Damien Hirst, pp.120-1).

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Away from the Flock features a lifeless sheep suspended in formaldehyde within a glass-walled tank. The sheep on display represents the limits of preservation, its inability to evade death. The work forces us to address our own ultimate mortality, resulting in emotional, empathetic responses. Read more about Damien Hirst audio tour

Take A Moment Away From The Flock The Daily Artisan

Spring, a time for lambs in the fields skipping in the sun. Hirst's sheep will never skip again. It seems caught in mid-cavort, the one that got away, merrily running through the meadows when.

Away from the Flock, 1994 AP (from an edition of 3) by Damien Hirst

More information available on The Broad's website: http://www.thebroad.org/art/damien-hirst/away-flock

Away From The Flock 1994 By Damien Hirst Tate Britain London HighRes

Created in 1994, Away From The Flock is the first work of Damien Hirst made using formaldehyde. The lamb sculpture inside a clear glass was sold at Christie's during the Post-War And Contemporary Art Evening Sale in 2018. The work was purchased in 30 seconds after the bidding began for $4.41 million.

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Mohamed is deeply shaken when his oldest son Malik returns home after a long journey with a mysterious new wife. 'Away from the Flock' was created in 1994 by Damien Hirst in Conceptual Art style. Find more prominent pieces of installation at Wikiart.org - best visual art database.

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Created in 1994, the year before he was awarded the Turner Prize, Away from the Flock is one of the most iconic artworks of Damien Hirst's career. Part of the group of celebrated sculptures collectively titled Natural History, it is among the earliest of his artworks to use formaldehyde, a material that has since become synonymous with his name.

Away from the flock YouTube

Get 50% off Damien Hirst at Tate Modern with a National Art Pass: http://www.artfund.org/whatson/21577/damien-hirstAway from the Flock features in Damien Hir.

Away from the Flock National Galleries of Scotland

The Serpentine's centrepiece was Hirst's latest adventure in formaldehyde: Away from the Flock, a disembowelled sheep which had been "rescued" from a knacker's yard. Andrew Graham Dixon thought.

Somerset House Images. AWAY FROM THE FLOCK II

Its title, 'Away from the Flock', is a term we associate with religion, specifically Christianity, - "to leave the flock" is to leave behind the protection of the church. Hirst draws on precedents in earlier British art.

for the record

Phooey | Art | The Guardian Now that's more like it. Away from the Flock, by Damien Hirst, made in 1994. Photograph: David Levene for the Guardian Jonathan Jones on art Art British.

Damien Hirst Away From the Flock, 1994 YouTube

A group of conceptual British artists, mainly born in the 1960s, first gathered together by Damien Hirst in 1988 to take part in an exhibition called Freeze. The phenomenon is also known as 'Britart'. Read more Turner Prize

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Details Damien Hirst (b. 1965) Away From the Flock (Divided) glass, painted steel, silicone, acrylic, plastic cable ties, stainless steel, sheep and formaldehyde solution Two parts each: 46½ x 73 1/8 x 20in. (118 x 186 x 51.3cm.) Executed in 1995 Provenance White Cube, London. Private Collection, Naples (acquired from the above in 1995).

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That image of the "neglected" carcass of a sheep recalls his 1994 work Away from the Flock, a sheep in a vitrine with roots deep in Christian imagery. Catholicism, he confesses, pervades how.

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The paper singled out Hirst's pickled animal installations, such as his 1994 piece Away From the Flock, which is a lamb preserved in formaldehyde, and Mother and Child (Divided), which features.